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Charlotte Brontë is able to use the conventions of Gothic novels to enhance her religious ideology (and vice versa) in all of the following situations EXCEPT

A

when Jane hears Rochester calling to her from miles away.

B

when Jane has a vision of hope in the red-room as a child.

C

Jane's premonition leading up to Mrs. Reed's death.

D

Jane's otherworldly painting that foreshadows Blanche Ingram's time at Thornfield Hall.

E

when Jane has a dream related to her future trials with Mr. Rochester.

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