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San Piedro had too a brand of verdant beauty that inclined its residents toward the poetical. Enormous hills, soft green with cedars, rose and fell in every direction. The island homes were damp and moss covered and lay in solitary fields and bales of alfalfa, seed corn, and strawberries. Haphazard cedar fences lined the careless roads, which slid beneath the shadows of the trees and past the bracken meadows. Cows grazed, stinking of sweet dung and addled by summer black flies. Here and there an islander tried his hand at milling sawlogs on his own, leaving fragrant heaps of sawdust and mounds of cedar bark at roadside. The beaches glistened with smooth stones and sea foam. Two dozen coves and inlets, each with its pleasant muddle of sailboats and summer homes, ran the circumference of San Piedro, and endless series of pristine anchorages (Guterson, ch.1).

What is the predominant rhetorical scheme used in lines 3-5 of the passage?

A

Alliteration.

B

Polysyndeton.

C

Asyndeton.

D

Climax.

E

Antithesis.

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