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AP® African American Studies

Photography and Social Change: AP® African American Studies Review

photography and social change

Photography and Social Change

Photography has played an extraordinary role in shaping social movements throughout history. In African American history, photography and social change became deeply connected as visual images captured real-life stories, built community pride, and challenged stereotypes formed under oppressive systems. Understanding this role can help students see how art, culture, and social justice often come together in the fight against discrimination. This post explores how African Americans in the twentieth century used photography to drive social change, highlighting the remarkable influence of photographers like James Van Der Zee.

The Role of Visual Media in Social Change

Visual media, including photographs, shapes how people view events and communities. Photographs speak a universal language, telling stories through images that can stir emotions and inspire social action. Therefore, photography can spark dialogue about injustice or shine a light on achievements often overlooked in mainstream culture.

During the twentieth century, African American communities faced multiple challenges that included legal segregation, racist propaganda, and widespread discrimination. However, many Black scholars, artists, and activists realized photography could become a tool for empowerment. By capturing everyday life, they showed the humanity and dignity of African Americans, thus countering false narratives promoted by those who defended Jim Crow segregation.

Countering Racist Representations

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African American photographers and intellectuals fought against “caricatures” and false portrayals that tried to degrade Black identities. These racist images often suggested inferiority, denied basic accomplishments, and justified mistreatment. Nevertheless, photography offered a new path.

  • Photographs served as evidence of African American families and communities living with beauty and strength.
  • Pictures from graduations, church gatherings, and local businesses challenged the view that Black people were only victims or entertainers.
  • Portraits taken with care and artistry replaced harmful stereotypes with scenes of real people who displayed confidence and pride.

One famous example is the way certain photographers captured self-assured African Americans in formal attire. These pictures revealed the traditional approach to portraiture:

  • A dignified pose that conveys composure or self-respect.
  • Careful use of light and background to showcase the quality of clothing and personal style.
  • An overall emphasis on the subject’s identity that defies racist assumptions.

Such techniques underlined the idea that culture and elegance existed in every part of Black life, contradicting negative media images circulated under Jim Crow.

The New Negro Movement

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The New Negro Movement emerged in the early twentieth century to challenge outdated views of African Americans. This movement aimed to highlight renewed confidence, cultural pride, and the intellectual achievements of Black individuals.

African American photographers embraced a “Black aesthetic” that centered on:

  • Everyday beauty and experiences of Black life.
  • Pride in African heritage and cultural expression.
  • Acceptance of folk traditions and local customs.
  • Celebration of Black identity free from outside judgment.

A significant photo that captures the spirit of the New Negro aesthetic might show a family in their Sunday best, gathered in a home decorated with culturally significant art. This photo would display:

  1. Warm and balanced lighting to convey comfort and belonging.
  2. Each family member’s natural pose, reflecting dignity and warmth.
  3. References to African American culture, such as artifacts or decorations, spotlighting a link to history and heritage.

This approach made everyday life an art form. It pushed back against outside distortions, demonstrating that Black communities were dynamic, creative, and filled with new possibilities.

James Van Der Zee and the Recasting of Perceptions

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James Van Der Zee became one of the leading figures in documenting African American life. Working largely in Harlem from the early 1900s through the mid-twentieth century, he recast perceptions of Black people on a global scale. His portfolio highlighted the many forms of Black expression, including labor, leisure, study, worship, and home life.

JVDZ Wedding Day, Public domain, via Wikimedia Commons

Unique Style

Van Der Zee’s photography was known for:

  • Careful staging and studio backdrops that highlighted pride and dignity.
  • Elegant poses showing appreciation for fashion, aesthetics, and artistry.
  • A focus on everyday moments, from wedding celebrations to religious ceremonies.

These choices sent a powerful message: Black people were more than the one-sided pictures presented in mainstream media. Van Der Zee showed that the Black community was diverse, refined, and intellectually engaged, providing a concrete vision of the “New Negro.”

Highlighting Required Sources

Several of Van Der Zee’s famous pieces come from his “Portfolio of Eighteen Photographs, 1905–38.” These works include:

1. “Miss Suzie Porter, Harlem,” 1915

  • Showcases a poised woman in stylish clothing, standing with confidence.
  • Contrasts the degrading images common at the time and underlines elegance.

2. “Garveyite Family, Harlem,” 1924

  • Depicts a proud Black family affiliated with Marcus Garvey’s movement.
  • Illustrates the importance of race pride and self-determination.

3. “Swimming Team, Harlem,” 1925

  • Highlights athletic achievements and community life through sports.
  • Demonstrates that African Americans thrived in areas often excluded from mainstream acknowledgment.

4. “Couple, Harlem,” 1932

  • Displays two individuals exuding style, affection, and unity.
  • Represents the universal desire for love and partnership, countering stereotypes of broken families.
  • The subjects stand together, both elegantly dressed.
  • The photograph’s balanced composition draws the eye to their posture and mutual support.
  • Van Der Zee’s focus on warmth and sophistication encourages the viewer to admire their relationship as a life-affirming bond.

    Through photos like these, Van Der Zee communicated the liberated spirit of the New Negro, emphasizing dignity, cultural pride, and the normalcy of Black companionship.

    Impact of Photography on African American Identity

    Photography did more than record moments; it forged a new sense of identity. For many African Americans, seeing themselves represented beautifully in images challenged internalized shame caused by oppressive laws and racist propaganda. Therefore, these photographs infused individuals with a sense of self-worth that spurred collective momentum.

    Moreover, this newfound pride had a long-term effect on other social movements, including the Civil Rights Movement, which built on the feeling of unity. Images from the 1950s and 1960s protest marches expanded on this legacy, showing a community standing together in the face of adversity. Today, social justice campaigns still use photography to illustrate their message. Students observing these connections can see how past photographic traditions inspire today’s fight for equality, diversity, and inclusion.

    Conclusion

    Photography has proven essential for documenting African American experiences that might otherwise go unnoticed. By capturing the pride, labor, worship, and leisure of daily life, photographers like James Van Der Zee replaced harmful stereotypes with an authentic portrayal of Black dignity. This shift—sparked by the New Negro Movement and continued through subsequent decades—highlighted the power of photography and social change, paving the way for broader efforts to dismantle racism, both in the legal arena and in popular culture.

    Students interested in social justice can learn from this history. By recognizing how photographic images were used to advocate for equality, young people today can harness the same energy to create meaningful art, spread awareness, and promote positive change in their own communities.

    Quick Reference Chart

    TERMDEFINITION
    Jim Crow SegregationA system of racial laws and customs that enforced separation and unequal treatment of Black Americans from the late 1800s through the mid-1900s.
    New Negro MovementAn early 20th-century cultural and intellectual movement highlighting African American pride, cultural expression, and self-respect.
    Black AestheticAn artistic perspective that centers on the beauty, heritage, and experiences of the African diaspora.
    James Van Der ZeeA famous photographer who portrayed the everyday life, dignity, and artistry of African Americans, particularly in Harlem.
    Racist RepresentationsFalse or harmful images that perpetuate negative stereotypes about a racial group.
    Civil Rights MovementA mid-20th-century struggle for racial equality and an end to racial discrimination in the United States.
    HarlemA New York City neighborhood known for its rich African American cultural, social, and artistic heritage.
    Social JusticeEfforts aimed at creating a more equitable society by addressing inequalities and discrimination.

    Photography continues to be a powerful tool for shaping public perception and driving positive social change. Through images that capture everyday moments, talents, and resilience, African American photographers opened a new window into Black life, showcasing dignity in the face of prejudice. Their work not only challenged oppressive ideologies but also built a foundation for future generations to express themselves with confidence and vision.

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